10x10x10

Our second spatial design project was focusing on scale and dimensions. We were asked to interpret the idea of 10x10x10 in our own individual ways. We could see it as a sum, a volume, a collection of different objects etc. At college we developed our ideas by looking at scale, materials and photography.

Scale Day
In the morning we thought about 10x10x10 in a smaller and medium scales- cm, mm,feet, metres. Here are some of the experiments me and my group tried out.

  In the afternoon we started to think about 10x10x10 on a larger scale. Lucinda and me took 10 stops on the tube through south ken and up to oxford circus. We then took the 88 bus 10 stops back to vauxhall bridge. Later I marked out our route on the tube map and then on the a to z to compare the way the geographical propotions change between the two.

Materials Day

On tuesday we did 10 material samples.

On our study day we were asked to record different actions like to sit, to eat or to lean. I looked at to carry . I wanted to focus on the body being carried around aswell as the different ways people hold and carry objects around.

Goodbye to the chair

So here is the first project in 3D. Last Monday we had to take the furniture we had bought/ found during reading week and dismantle it. It took me ages to break up my chair (I had to prize out about 300 rustly metal tacks with pliers) But it was really satisfying in the end to see all of the pieces I could work with. 

On Tuesday I started experimenting with the pieces and thought about what final piece I would be left with. I found it quite hard to decide on what the chair would be transformed into- I had so many pieces to work with and I wanted to get the best out of them. The main 2 ideas which occured to me were a theatrical headress and a chandelier. After playing about with the pieces a bit I chose the chandelier route.

These photos show my beginning experiments

possible candelabra

chandelier?

went a bit off track and was thinking of birdcages



Second day experiments

Finished frame

Finished light



Bit of Chair Research

For our 'Reuse, Remake, Reinvent' chair project we were asked to do some research. The tutors suggest we take a look at Martino Gamper's project '100 chairs in 100 days'.

Here is the link.

This pic and the 2 others below are sourced from http://www.gampermartino.com/projects/a-100-chairs-in-a-100-days/

I thought the project was great and really good inspiration for when the time comes for me to cut up my chair. My favourite piece was the 'hands on' chair.

I thought Gamper was clever in the way he added quirky, unexpected touches to his pieces to prevent the stream of chair transformations from becoming repetative or boring. The description by Gamper of the project being like a ' three dimensional sketchbook' was something that really appealed to me. I often collect little bits and pieces like tickets, leaflets, post cards or newspaper articles because at the time I think they'll be useful in a future piece of work, but Gamper's collection of chairs pushed that collecting compulsion to a new level.
Each chair feels like a record of a certain mood or style. The structures go from ridiculous and out there to quite restrained and simple. I think the ones that work the best are the more simple structures. The ones that appear quite normal or everyday, but, as you look closer, have something a little unexpected about them.

This one, called Jules with Friend, was interesting because you see it both as two seperate pieces and one functional object. Plus, I like the way in which Gamper chose his chairs . For instance there are some which are universally recognisable eg. a plastic garden chair or those school chairs made of plastic with steel legs. These ones are effective when altered because they are taken out of their usual context and (as it says on the website)  their 'status' or 'function' has been changed.

I also had a read of the book 'modernism: designing a new world'. That sounds really fancy, but it's actually a V&A catalogue of the exhibition that was on there a few years ago. There's a great chapter in it called 'sitting on air' which I found really helpful in my research. It describes the changes that took place in furniture design in the years between the end of WW1 and the beginning of WW2. It includes alot of the Bauhaus artists and designers, whose work I think is amazing.

Marcel Breuer, an architect and furniture designer believed furniture could be developed through abstraction, changes in materials and by diminishing the structure of the pieces themselves. I found the merging of these two areas (architecture and furniture) really interesting. I had come across architects designing the interiors and furniture in their buildings for example from the work of Mackintosh or Le Corbusier, but I didn't realise that it was such a common trend. But according to the book ' virtually every architect of note .... felt compelled to turn their attention to the design of at least one chair.'

The work of Marcel Breuer, Mies Van der Rohe, Hans Luckhardt and Alvar Aalto stood out most to me.



Chair designed by Hans Luckhardt in 1929-1930
Source: http://media.vam.ac.uk/media/thira/collection_images/2006AU/2006AU9590.jpg



Chair designed by Marcel Breuer, 1928

Source: http://media.vam.ac.uk/media/thira/collection_images/2006AU/2006AU8940_jpg_ds.jpg

I want to try and emulate this cantilever style when we have to chop up our chairs on monday. Obviously this wouldn't work on my wooden chair because wood cant take the same pressure as metal because it doesn't have as much tensile strength. But these designs by Alvar Aalto and Breuer gave me some ideas of how I could go about it.

Alvar Aalto Paimio armchair, 1930

Source: http://www.metmuseum.org/toah/images/h2/h2_2000.375.jpg

Marcel Breuer, 'Short Chair', 1936
Source: http://www.vam.ac.uk/vastatic/microsites/1331_modernism/files/93/1935_london_breuer.jpg

I think this wooden versions of the cantilever chairs are just as successful as the metal ones. I like that there's a bit more softness to them- I can imagine them in a home more than the steel versions which look like they should be in a plush office or bar. The Breuer one is really satisfying to look at. It's fluid and all of its componant pieces slot together to give it a sense of harmony and completeness. I'm not expecting to be able to make something like this in a 3 day long project, but I do think there's alot of curved pieces to my chair which I could use as a basis to change it's overall structure.

Finally here are some of my sketches. (I'm aware I'm in need of a scanner)

Still don't understand why they rotate themselves.